a1. atmospheric dub is simply a kerri chandler classic. in this moment we task jerome sydenham with editing duties to refresh this rare groove. a2.tyree cooper, who needs no introduction, engages in a live jam session with jerome sydenham for this universal rhythm result. a testament to spontaneity, groove and soul. spin and flow. b1. entering the diabolical world of house disco not disco couldn’t be better exemplified in this searing piece with colluding talents eric d. clark and thomas schaben with additional vocals from anita davis and david boswell. devine underground dance music. b2. kerri chandlers remake of the pal joey classic dance infused with a jerome sydenham edit just make this classic complete and decadent for all sides of the house spectrum.

celebrating the seventh noon-records release, we are happy and proud to present you an ep with a name that speaks for itself. something strong is one of these high pressure peaktime cuts, that can turn any club or festival stage upside down. the slick combination of raw and dirty drum programming and twisted funky stabs & organ sounds, will take you on a ride. the head infecting vocals and synths during the break make sure, that no one will be left behind when the beat pounds in again and again. tommer is more on the bumpy house side. with it s massive bassline and percussive patterns, you can get any party started. a perfect track to round up an ep - truly dedicated to the dancfloor.

-i think of you- kicks things off with a taught 4//4 pulse sitting under cheeky vocal samples and a climbing bass pattern. expert arrangement sends guitar licks rolling in and out of focus before -still feel good- sets a disco-indebted chug walking throug

enough! musics 11th work is a especially release by our lovely marc miroir with a soulfood remix series from amam labelowner alessio mereu & dakpa and enough! music head danilo schneider. two wonderful tracks with the name skillz and skusy is the sound of our time. turn the volume button loud- here comes marc miroir. the hypnotic groove, passion and the right sounds in the arrangement are the full craft in this ep. both remixes of the track skillz from danilo schneider and alessio mereu & dakpa are so excellent, powerful and in the right direction in to your heart.

bubble clocks opens with the sublime talking proud beautifully built around a vocal sample from one of jazz s undisputed greats, nina simone. the title track bubble clocks is over 9 minutes of dream psychedelic bass music. turn on, tune in, bliss out. punchlines is a rave/bass crossover peak time bomb, and output, the closing track is 10 minutes of totally individual vision, taking a convoluted idea and teasing it out in all its permutations. a major talent in the making who has been showing promise, delivers on this ep.

kyle geiger returns to droid recordings for a three-track suite of techno and rhythmic experiments, jupiter storm. a1 (jupiter, hydrogen edit) builds from a rumbling kick, slowly constructing a space of delayed tones and filtered noisse pressure aimed at the dancefloor. b1 (mars) takes things for a truly unexpected turn, borrowing some of jupiter’s sonic language and reformulating a triple-metered groove with waves of noise and distortion. the title track, jupiter storm (b2) brings the full kick back into the picture riding the mars rhythms against the standard kick for a track that’s driving and infectious.

a highly regarded producer and musician who used to be in the midst of the ny metro breeding reactor that spectatuclarely revived and modernized disco and italo disco since the turn of the century and added some hotliped live brass to their platters and whose sought after releases under his own appear appear much to rarely dons his house cloak and dagger for 3 sneaky new chapters on story. not wasting any time on unnecessary nicety the a-side track will send up a whole colony of ants right up your pants riding on a steamrolling percussive disco groove garnished with cut up vocals and fx trickery. b2 is another chicago style wedding of disco and house with a jubilant, string backed female vocal snippet tweaked over a heavy groove while the first track on the flip is a subterrenean, groaning dub house affair that reminds of a slowed down john ciaffone banger. no matter which chapter you jump to here it puts you right into the action.

die hommage an west-berlins under ground der 80er jahre. der soundtrack zum erfolgsfilm *b-movie* auf doppel-vinyl im klappcover.

ritual is a collective of djs and producers from malmö and copenhagen. after several years of orchestrating ruthless techno nights, we have decided to turn the sweat and blood left behind on our floors into vinyl. this is the result.

for the sixth release on people must jam, we headed to poland to find two very special guys that make up ptaki. ptaki have been making ripples around the world for their unique approach to putting together a record or two and having just recently dropped their album przelot those ripples have turned to waves. we are proud to announce their new record - antypody that will possibly turn those waves tidal! ptaki have delivered a wonderful varied ep with four different cuts. kicking off with the crazy uptempo hi-nrg disco cut milosc after which the record moves into the more gorgeous balearic territory of termy. this blew us all away when we first heard it. on the flip lotnik showcases some solid house roots before the ep ending on the porn sampling and rather brilliant radio roman. we are really stoked to have these boys on board for what we feel is going to be a very sought after record. 180g vinyl - strictly limited.

since the turn of the decade token has by and large been an exclusive platform for the music of inigo kennedy, ¥ phase and ctrls. the belgian label has, however, remained on point by putting out formidable productions by rich oddie & ancient methods eschaton project, german powerhouse r¢dhåd and spanish heavy weights oscar mulero and christian wünsch as spherical coordinates, to some intercontinental fare by xhin and go hiyama. token, an iron clad operation continuously manufacturing unyielding techno, has always, deep within its impenetrable shell, had a soft spot for british techno. and following a reissue of mark brooms two, maintaining the glacial release rate of rodz-konez legend makaton, and welcoming surgeon to its fold with the thunderous fixed action pattern 12inch, the belgian label seeks out some fresh uk blood by inviting james shaw, aka sigha, to debut on the label with a stylistically sleek and suitably booming 12inch, our father / a better way of living.

drumma records presents its second collaboration with romanian duo vinyl speed adjust (vsa). the ep titled the awakening shows us vsas intelligent approach to music, an ideal fit at drumma records where creatively effervescent music is embraced with open arms. the record has 4 tracks. the eponymous the awakening is a special trip between break rhythms, modern jazz and a dreamy perpetual arpeggio. it creates a great mood for artists who want to present something special during their set. a2 is the grind, a very strong and acid track with a powerful evolving bassline that creates perfect suspense. inspired by the 90s, its raw and its analogue, definitely a hot track. monoxide comes with a linear rhythmic pattern and a very deep sub-bass sound fused with trippy synth soundscapes, ideal to put in a mental note during a session. the release is topped off with an amazing remix by the great valentino kanzyani. hes brought his own approach to the grind. the remix is a track with very strong groove and an intelligent evolution that creates small sonic worlds at every turn. valentino knows how to masterfully work a constant crescendo where tension and rest is perfectly resolved and we can feel his approach to techno at its best.

big ep!! ltd 2015 repress
supportet by loco dice, jamie jones, mountain people, federico molinari, konrad black, sebbo, radio slave, ewan pearson, martin landsky!! 2007 saw piece divison turn in a superb and heavily supported release for crosstown rebels as well as impeccable remixes for audio soul project and kerri chandler. 2008 sees them kick off a brand new project for tsuba. peace division presents the lab

* kowton makes an emphatic return to livity sound this autumn with his first solo 12” for the label since 2012. * a foundation block of the label, kowton has also released on hessle audio, all caps and idle hands and most recently scored a hit with his ubiquitous -glock & roll- on young turks offshoot whities. his music s been remixed by karenn, kassem mosse and surgeon and in turn he s remixed work by paul woolford, tessela and untold. * now a regular some of the finest clubs around, kowton has played across europe both live with livity sound (alongside peverelist and asusu) and as a solo dj. in the past 12 months he s toured japan, america, australia and is set for repeat visits this autumn. * this new livity sound 12- see s kowton in a typically reductive mode: on repeat layers pulsing subs with weighty percussion and enveloping synths, holding patterns flips things into a streamlined modulating techno workout of abrasive drums and rotating rim shots.

500 only, tresor records is fortunate enough to be sitting on a catalogue of past releases that no other label in electronic music would turn down. three of the finest in this collection were albums contributed by surgeon, * basictonalvocabulary*, * balance* and * force + form* all originally came out on the berlin institution between 1997 and 1999. surgeons inimitable combination of detroit techno and post-industrial sounds emanating from his british homeland found its fullest expression in these masterful trio of releases on tresor. the balance remakes 12” accompanied surgeons second tresor album in 1998, with additional versions as well as a remix by long-time birmingham collaborator mick harris.

pp proudly presents another double urge to turn up the volume: the 12th offering on public possession comes from tmo (aka leonid lipelis). lipelis, who is based in moscow and whom we met there first when playing in russia, is a music maniac. this was clear almost instantly and at some point during the night we found ourselves on the couch in his homestudio, where he played us an array of tracks from his various guises and projects. one of the first tracks presented to us was melodic jam

sowesos 22nd release marks the debut ep of finder, the new project of jeroen liebregts. the souvenirs ep is a showcase of classy techno grooves and modular sounds woven together to make you move like never before. jeroen liebregts is known for his radial moniker, under which he has been releasing high quality techno over the past decade. while radial focuses more on the tougher side of the genre, his new finder alter ego shows a new direction and depth to his sound that will turn heads around the world. with great attention to detail, modulating sounds and tight production skills, the souvenirs ep is something not to be missed. five timeless originals, each with a unique character. enjoy! b1. basic needs will be vinyl exclusive!

repress 2015 , americans hakim murphy and ike release are two chicago house addicts who produce solo and as a duo under the name innerspace halflife. here they turn up on one of europes finest deep house labels in mos deep with a two-track 10 inch vinyl release.. tip!

bond commander petter b lands on planet rhythm with a bombshell record that contains 3 staggering originals and a fierce re:axis remix. the opening effort *cc21* is a rough repetitive pacer that will definitely turn some heads. *transporter* serves as a vibey yet evolving piece of work that builds up the tension but let s go every now and then. *protoportal* is yet again a repetitive grower with a somewhat less dark build as the opening tracks. re:axis closes down with a robust rework of *transporter*. belter record.

nice price deal !!! cymawax explores the far reaches of our sonic galaxy with its next 12 inch only release, an exciting seven song set from evocative uruguayan-norwegian vocalist camilla luna. camilla is known as one half of luna & bazis on wahwah45s, with producer friend bhlb, and as vocalist for trulz & robins releases on eskimo and dance disorder’s ”metallic italic“ (bpitch control). her years of improvising vocals with musicians and djs at renowned oslo clubs like blaa, jeager, and the villa have given camilla a knack for accompanying electronic rhythms with haunting, tuneful melodies. for the open up ep, camilla joins producer bhlb for soulful and raw vocals recorded in one take over futuristic, bass-heavy, and delightfully offbeat tracks. the styles and tempos vary wildly, but the sound throughout is unified in a deceptively organic ex machina woman-meets-machine vibe. in the title cut, the almost tribal percussion summons exotic, benevolent spirits when combined with camilla’s temptatious crooning. the twisted r&b of ”wut r u gwonna do“ could almost be a secret collaboration with the likes of flying lotus. and ”f.o.c.- transmits a slightly intimidating techno stomp that would make all heads on the dance floor turn towards the dj and immediately take notice. these are just a few of the otherworldly audio nuggets found within the open up ep … there are more treasures to unveil. excavate soulfully.

we believe this ep is as fun for the feet as it is for the ears and everything in between. with nods to influences past and present, scott has provided us all with four tracks that will stand-out and turn heads. it s time to jack.

adam beyer supplies a new truesoul release that connects with his more funky, tech-house side of his person. the use of beyer s melodies and chunky drums makes each track stand out. the crowd moving rhythms that beyer commands will move any crowd and turn the crowd inside out. the electrifying hooks show beyer s production talents at their best and with the addition of a tremendous tiger stripes remix of time flies, the package is complete.

catch recordings now mark up release number six in fine style. again nudging the boundaries and dipping their toe in uncharted waters, this latest release comes in the form of the trunk sewer ep, a five track affair featuring great original material by olerton as well as a brilliant first ever remix from literon. if you didn t know, literon is better known as dutch master gerd (one his many aliases), and is someone who has defined the underground house sound for years with countless releases on labels like clone and his own 4lux. to date the label has showcased a deep house and techno style for the main room. bobby o donnell, bob barker and doubting thomas have all released here and now it is the turn of the assured talents of harry wolfman and joel wilson aka olerton. this refreshing and original pair have released on top labels like strictly rhythm, soundplate and others, and are now back with a bang.

as one third of the founding trio of revered cologne imprint magazine, jens-uwe beyer has become an obvious choice for any adept of open-minded electronic music, both through releases such as the one-track-one-hour manifesto red book (magazine 008), several contributions to our pop ambient compilation series or inspired remixes for barnt, dream weapons and others. besides this being the same mastermind as the one behind the ongoing popnoname brand, you wouldn t expect upcoming the emissary to actually be a debut, but it is, for it s the very first time that we re treated to a full-length offering under the artists real name.

new label on the block, special edition, deliver two more quality cuts for the more discerning and eclectic djs out there. this time around disco deviant dicky trisco joins forces with in demand producer peza to turn out two mighty jams. both cuts blend elements of disco, funk, balearic and acid in the mix. so take the trip!

one sided, vinyl only. fresh off the release of his monster selling todd terje remixes, justin van der volgen is back on his own my rules imprint. sketch 2 is filled with some koo koo brooklyn beats made for people to cut angles, jerk joints, and chop shapes. simple and direct to turn heads and move feet.

mslwte, does the name ring a bell? james calls himself a techno experimentalist and he sure is! as a co-owner of subsekt, he sure knows how to turn those knobs. dirty, rough, experimental, twisted dark techno. you will love it.

general ludd is rich mcmaster from new jersey and tom marshallsay from canterbury. the guys met at the glasgow art school, where rich studied environmental art and tom studied fine art. their first collaborations were interactive sound installations, but that quickly gave way to all night music making sessions. this is their second ep for us – a more left field turn than their first, but, we can assure you, both tracks will break discerning dancefloors wide open.

constantly turning around itself, the winding melody of vertere turns outward and inward at the same time, bringing the listener on a journey outward while mirroring a simultaneous labyrinthine journey inward. like the word itself, vertere, with its roots in the latin word verto (which itself takes its roots in the earlier sanskrit word, vartayati) it signifies the very nature of change itself. it means both to turn and reflect inward and yet also move forward — a call to action for setting in motion new things. a paradox at first glance but also perhaps a surprisingly accurate description of the destructive and reconstructive nature of creation. an apt metaphor for this bright new collaboration between established life and death artists mind against and the new artist project of federico maccherone, aka somne. on remix duties, when you have an artist of the caliber of tobias freund, you don t need to ask for anything more and with his outstanding remix of vertere he very clearly shows why. this long time mainstay of the electronic music scene has managed to stay not just relevant but on the cutting edge longer than most with respected releases on some of the most seminal imprints to be putting out music in the world of underground dance music. with vertere he takes what s already top quality material and somehow manages to turn it inward and in his own unique way elevate it to another level entirely. with a relentless beat and a sonic force that is hard to describe with mere words the tobias. remix of vertere comes out of the gate like a runaway machine rapturously drunk on its own self awareness. it marches ever forward, full of fervor, and will surely be driving dance floors both large and small to the euphoric edge of the ecstatic state.

rekids welcomes madrid-based producer regal to the label for the first time, with the long-awaited release of the figure/enemy records affiliates interpretations of ghetto kraviz. with the original named by fact magazine as one of the top 100 tracks of the decade so far, regals 303 and dub remixes have meanwhile been a recurring feature in the sets of djs including nina kraviz, who fell in love with them immediately upon being sent them last year, leading to their eventual release on matt edwards s recently re-launched imprint. the a-side sees the involve records boss turn in an jacking, acidic take, while on the flip, the dub version heads in a more classic techno direction, replete with pounding kicks and cathedral-filling reverb. these are two killer remixes have been going down a storm…!

hugo frederick has been bubbling under the surface of melbournes incredibly strong electronic scene for years. now its his turn to suit up for an immense 12inch on plastic world full of euphoria and pianos. soaring on an intricate combination of whirling ambient undercurrents, classic 90s house pianos and a deep understanding of house music and the groove that exists within it, hugo fredericks debut ep skin is truly something to behold.

zwei jahre nach dem traurigen und viel zu frühen tod des aus aberdeen (schottland) kommenden musikers und designers ewan robertson aka offshore erscheint via big dada nun sein letztes album. die tracks entstanden zum großen teil noch vor seinem tod im jahre 2012 und wurden liebevoll von seinen angehörigen, big dada und befreundeten musikern wie amon tobin, slugabed, ikonika, u.a. selektiert. sämtliche erlöse aus dem verkauf des neuen albums gehen an die marfan stiftung, da ewan an dem marfan syndrom erkrankte. musikalisch überzeugt offshore auf ganzer linie. ob 90s electronica a la boards of canada, post-dubstep bis hin zu hip hop, grime und minimal funk lässt er keine wünsche offen!

after their big waves making morris audio release given you tears, jammhot are back with another powerful yet subtle ep! with full frontal and the kicker, matt mason and jamie adams deliver two strong clubs tracks with a deep yet kicking feel. turn to the flip side and get another strong clubber: full frontal as a remix from the ever hot organ grinder (heist, 4 lux)! get morris audio 96 and be safe on your next summer party!

listed as one of the best clubs worldwide, not to mention best club in romania, midi started their own label with a bang early last year. this time its g76s turn to make you dance with his two tracker.
* timber so* is definitely the melodic one with subtle sweeps and resonated percs running smoothly along a trippy voice. the warm bass will keep your feet warm.
* a fractured neck nock* is the dark one. synths are lurking behind the sick percussion. the guitar riff and a kids voice increase the mystery as the track progresses. this might seem dark and deep but its pumping as well.
released on vinyl only

in yet another powerfully persuasive incursion the berlin-based nous imprint have invited michigans recondite karen gwyer to handle business for their 8th mothership release, who in turn has obliged with the really rather glorious bouloman ep

for moss co. s fourth release, and first solo artist ep, they look to londons antony difrancesco. antony s selective output on other london labels like fuse and othertones, has seen regular support from the highest echelons of house and techno. his enviable collection of hardware, and seemingly endless flow of creative ideas, are displayed brilliantly on mossv004. the record opens with vio - a mystical track, filled with toms, bass and groove tied together with ethnic strings and an eerie pad. left takes more of an experimental turn, with playful bass bouncing around the spectrum, complemented with analogue squelches. a beautifully warm pad brings an element of romance to the track, and crisp tops keep it dance-floor focused. on the remix, martinez uses his signature concealed sound to devastating effect, transforming track into a sleek, minimalistic, late-night affair.

after an 8 month long break, sylphe is back, this time changing things for the first time with a solo ep by the b side dweller, micawber. he is delivering two solid, thumping techno cuts in the well-known mystifying sylphe mood. on the a side we have * fasma*, a rolling, melancholic techno jam. sparkling rhythms meet lamenting melodies in a 10 minute trip of bubbly sub-basslines and transcendent grooves. on the usual b side micawber is delivering yenbashu. a psyched-out trip into electronics, it moves swiftly into an experimental territory of madness, full of edgy and shuffled up beats. both cuts remain true to the sound sylphe has forged, albeit taking a sharper turn and evolving naturally. we will be pressing 599 copies.

after the success of the first tijn01 with djebali, the eponymous tijn series continues with 4 originals from groovy french sounds to solid techno.

*** repress 2015 ***!! its a get together between master rick and young kyle. and its time to turn things up a notch. kyle hits it unbelievably hard with >after fall<. have you ever tried head banging to disco music? if not, now is the time, because this track will make you do just that. there is no denying. banger! on the b-side the godson eases down a little and lifts the classic >love & happiness< a capella to work it into a hypnotic groove. build it up! the third track sees kyle and rick teaming up, where kyle provides the drums and rick delivers the groove. a futuristic piece of jazz techno, 22nd century shit, that plays with your mind and demands you to move.

last time round for finale, it was label boss michael zucker offering some rare insight into his prowess behind the buttons. here zucker adopts the more familiar curatorial role, easing the finale focus towards the new generation of parisian artists prospering in the french capital. ka one & st sene oversee the prospering flyance records and arrive on finale with the french connection 12inch after a recent turn out on london s ornate music. the four tracks suggest ka one & st sene are developing into a truly diverse production unit, with the crisp motor city utopia of smokin joint a particular highlight.

hot on the heels of killer releases by label heads ryan crosson and shaun reeves, the latest visionquest release sees the label turn its head to deadbeat aka scott monteith. the berlin based montrealeler has been putting his own spin on house and techno for some time now, putting his stamp on esteemed labels such as cynosure, echocord and wagon repair. the jacks ep continues his fine tradition of putting out discerning fare, as he conjures up a new ep package that remixes his classic track, mecca drum track (originally released on wagon repair), from 2008. striking in its many intricate and delicate production wares, its a polished effort from the outset

founded in september 1981 in orléans, and originally dedicated to a kind of ‘modern punk rock’, d.stop released a first 7’’ the following year. this impossible-to-find debut release is now reissued on vinyl for the first time. the three tracks of the original 7’’ are augmented with 4 tracks that are released on vinyl for the first time ever on this very nice translucent vinyl 10’’ plus download code. after this first 7”, sonny brailleur (vocals) + phil lethon (guitar/bass) + klod lelook (organ, synths, drum-machines) , inspired by french band metal urbain, stylistically transformed into a more ‘synth punk’ kind of outfit and released their first mini-album nouvelles du front in september 1983 that has been reissued by desire on vinyl last september. one year after, the band already ceased to exist – or actually changed the name to les visiteurs du soir – to turn back to the old name in 1985 by releasing a limited cassette. despite the very few releases by this gifted act, d.stop are considered to be one of the most interesting and under-rated cult acts in french cold wave.

motor city. the home of hi-tek soul. or simply, the origin. just a few of the names with which to descibe a city in the heart of america that has the power to captivate ones imagination. in the early 20th century it revolutionized transport, ushered in an age of previously unknown mobility and became the automotive capital of the world. during the 60s it gave us motown, one of the most influential r&b and soul record labels to ever exist. and, before the turn of the millennium, it would bring forth another musical revolution: the one called techno music. to abstract division, the city of detroit and its artists are a major source of inspiration. as such, they decided their newest metropolis ep was to be an hommage, a means of giving back. this special package includes an original track that keeps close to the spirit of melodic, rhythmic, minimalism detroit is known for. it also features three very special remixes by close friends oscar mulero - under his trolley route alias (which he hasnt released music under since 2010) - function, who ups the darker ante and marcel fengler who infuses it with his trademark berlin funk.

deep disco warrior the revenge turns in an epic hypnotic mix of slow burning house nailed down by analogue bass and acid. using a filtered vocal it builds slowly as the bottom end is tweeked towards a mesmeric journey through minimal wigged out disco. sleazy mcqueen and romano arcaini turn in a disco inflected house mix with congas, spaces out synths and enough dynamics to keep any dancefloor bubbling. it builds with added percussion and a filtered pad before the lead hits the break and the track comes back in with even more wallop. drug empire is an original off the album and has had support from the likes of rune lindbaek, crazy p’s hot toddy and horse meat disco. said to be inspired by theo parrish’s productions it’s a delicious slice of bass driven deep disco with a nod to the looser end of detroit and chicago. it’s all about the fully locked in three note analogue moog bass which holds down the grooved out drums before breaking to jazzy rhodes at the end. one for the heads.

koehler the bastard back on bh, with his spar kuno in tow. no u turn versus bunker nastiness. the flying dutchman aka a made up sound must have nerves of steel to try remixing this evilous gnarl. his first move is to deep-freeze the fucker, while he prepares a ministration of snare to wake the dead.

myk derill is one of the most interesting dub-techno artists. here he offers four great tracks of high quality and class. never hard but never soft. myk derill takes a turn for a more broken rhythm industrial looped with vocal.

whilst he is primarily recognised for his bond with detroit and its varying strands of house and techno, seth troxler is an artist whose taste and collection spreads much further afield. through his own imprint soft touch, seth explores music from way beyond the motor citys borders as he seeks to outlet left-of-centre cuts that touch on interstellar guitar, calypso disco and seductive techno tracks. with the project inaugurated by clarian back in august of 2014, the second instalment comes from the visionquest and playhouse affiliated trio rework who draw from their unique meld of synths and vocals and turn in their lovecall ep

a made up sound returns to clone basement series with the third volume in his archive sequence, a strong and varied 4-tracker due out mid june. opener cheater vip is probably the most floor-ready offering here, from there on the ep gradually takes a more narrative turn, from the slower paced gravel stomp and soundtrack strings of funkstation to the emotive, off-kilter diptych us and them on the b-side.